Getting “Truthy’ about Movies

My wife and I recently got back to talking about “The Big Short,” which I will reiterate as being one of my favorite movies … well … ever.  The context of the conversations has mostly been in regards to gift giving (not terribly relevant here) but also a little about how accurate/truthful the story seemed to be (definitely more relevant here).

So it was with great interest that I discovered this link today, a scoring of major Hollywood films that portray “true” stories … and how true to life the movies actually are.

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Pursuit of Crappiness podcast Episode 4: Spotlight

“Spotlight” is an Oscar-winning film about journalism, about spiritualism, about the power of institutions, and about priests molesting children.

That least piece of the equation might be enough to turn people away, but I can tell you two things that might change your mind if you’ve been delaying seeing the movie:

1. This movie doesn’t actually show any of these acts, nor does it very much “hint” at them with visual tricks like closed doors, creepy touches, etc. The victims in the film are largely adults, dealing with the abuse that occurred years prior. In short, the content of the film is itself digestible.

2. The actors (mostly) keep their performances reserved, while the writing and direction are intelligent in their handling of such a sensitive topic. The characters here are not cartoons, nor is the film particularly “preachy” in its intentions. It’s more concerned with telling a story, and doing it respectfully.

That the film succeeds in these matters is to its credit and makes it a worthwhile winner of 2015’s best picture (and a movie I would recommend to anyone).

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Pursuit of Crappiness podcast Episode 2: Oscars 2016

We take a crack at the 2016 Academy Awards in this week’s podcast on “The Pursuit of Crappiness,” as I’m once again joined by my wife, Cait, and this week we welcome good friend Sherri Tarr.

Buckle up for Episode No. 2, in which we offer differing opinions on the general worthiness of “Mad Max: Fury Road,” the performances of the year which sometimes include Brie Larson and sometimes don’t, Chris Rock’s helming of the spectacle that is an awards show when it is almost entirely white, and our own individual picks for best film of the year (Spoiler: we all liked “Spotlight”).

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