Month: February 2026

F-Zero X review

There are a lot of “floaty car” racers out there. Here’s another one!

That’s basically the review right there. The second F-Zero game on home consoles released for the N64, F-Zero X stood out for trading any semblance of decent visuals in for lightning speed, as though driving a cyber truck meant you could go 800 mph down a slip n slide.

Sadly, driving a cyber truck only makes you a giant dorkstore. But the good news is this game allows you to make a deal with the devil that actually provides a decently good time and not just the scorn of every person you meet.

The insane speeds here really stand out. Unfortunately, so do the touchy controls, which make the thing a little more inaccessible than other racers, including its predecessor, which I consider a more enjoyable affair overall (and was certainly more groundbreaking).

So yeah, that’s F-Zero X. It’s ugly. It’s insanely fast. And it’s got a steep learning curve. As part of a really deep collection of racers on the N64, I consider it somewhat noteworthy historically as well.

I like it. I don’t love it.

Dave’s Score: 7/10

Dance Dance Revolution — Retro Gaming Essentials (No. 51)

Do you know what it’s all about?

No, really. 

Do you know what it’s all about?

You do the hokey pokey and you turn yourself around.

That’s what it’s all about.

(I apologize for nothing.)

Hokey pokey dalliances aside, I thought it was important to include a proper, traditional rhythm game in this countdown of my 100 essential retro games, and well, when you think on that for more than two seconds, the best possible choice really begins to make itself obvious.

You see, I think it’s the activity level here that really sets “Dance Dance Revolution” apart. A spirited evolution of the genre that demanded its participants stand up and get moving in order to have any sort of success, “DDR” took over arcades and helped usher in a true golden age for rhythm games.

I don’t think I’m overstating that either. I mean, we can argue that certain games have come along since that have done this sort of thing even better, and we can likewise argue that the activity doesn’t mean so much as the music itself and therefore a less active game might have a case for being considered more important to the games industry at large.

My argument in this discussion is this: Why else would this concept be imitated so gosh-darn much after this if this sucker wasn’t super meaningful to people? Here, you get two things – rhythm and dance – in concert, and moreover, it’s a communal experience, encouraging people to participate in pairs. And when it works, it REALLY works. 

Truly, that IS what it’s all about.

Dance Dance Revolution at a glance:

Genre: Dance/rhythm
Released: 1999
Platform: Arcade
Guinness World Record: Most Widely Used Video Game in Schools
Continue reading Dance Dance Revolution — Retro Gaming Essentials (No. 51)

Metroid Prime 4: Beyond review

This is tricky. A much anticipated and then much maligned sequel of a beloved Nintendo franchise, Metroid Prime 4 is probably best experienced without any of that baggage. So a review kind of defeats the purpose.

What I feel comfortable sharing is that it doesn’t live up to the lofty expectations many had for it, nor does it fall to depths many have accused it of doing. Instead, my experience was very much, “Hey, more Metroid Prime, neat!”

I think the flaws in design are undeniable, so much so that the much derided desert area does necessitate a warning for first-time players: I would not ignore collecting the green crystals. Go a little out of your way to ram into them on your motorcycle as much as you possibly can. Do this and I think the pacing of the game works just fine. Don’t do this and the end of the game might begin to feel like an extended Kids Bop concert.

That there needs to be a caveat is in its own way disappointing, but I want to be clear: I REALLY enjoyed playing this. I’m okay with the choices many had a problem with, the music and graphics are top-shelf, and it’s still as fun as ever to wander through beautiful alien biomes, scanning all the things before blasting them into atoms. (The boss battles in particular are a highlight.)

I would compare this game to “Skyward Sword,” a personal favorite of mine that really irritated a lot of people in the Zelda community. The two games are similar in creating a relatively small, interesting world with interconnected distinctive biomes, and then demanding the user revisit areas in a fairly linear way. They also share the propensity for leaning into what made each series successful, with perhaps an acknowledgement that there’s no further to go without total reinvention. I’m not sure, but I’m thinking possibly so. (The difference between the titles is that the story beats here are not nearly as successful as they are in SS, but again, I still had a good time with the gameplay and environments.)

Ultimately, I hope people play this and we get another sequel. I also hope they mix things up a little more next time.

Dave’s Score: 8/10